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Here’s a bit of light relief, in the middle of all those looong posts about Supersaurus and its buddies. When Matt and I were at NAMAL on the last day of the 2016 Sauropocalypse, we took a bunch of tourist shots. Two of them were of a skull and first three cervical vertebrae from what I take to be Diplodocus or something close, and happened to be from sufficiently close angles that they make a pretty good anaglyph.

Having surveyed what we know from the published literature about Jensen’s Big Three sauropods, and what Matt and I concluded about its big cervical BYU 9024, and having thought a bit more about the size of the BYU 9024 animal, we’re getting to the point where we can consider what all this means for Jensen’s taxa.

In part 2, we concluded that BYU 9024, the large cervical vertebra assigned by Jensen to the Supersaurus holotype individual, is in fact a perfectly well-behaved Barosaurus cervical — just a much, much bigger one than we’ve been used to seeing.

Last time, we reviewed what’s known about Jensen’s three giant sauropods based on published papers (and one abstract). This time, I want to talk a bit about what Matt and I have discovered, and intend to publish when we get around to it. The Three Baro Jacket It all followed on from our work on Barosaurus (which for now remains available only as a preprint, becalmed as it is in the peer-review doldrums — mostly my fault). Because of

It’s time to revisit everyone’s favourite trio of apocryphal super-sized sauropods! (Yes, we’ve talked about this before, but only very briefly, and that was nearly eleven years ago.

Okay, so here on the Best Coast it’s not technically my birthday for another 3 hours, but SV-POW! runs on England time, and at the SV-POW! global headquarters bunker it’s already June 3. Oh, and tomorrow Brian and I are driving to New Mexico to look for Cretaceous monsters with Andrew McDonald and crew, and I won’t be advantageously situated for blogging. So here’s my Favorite. Card.

Next to Charles Knight, the Czech painter Zdeněk Burian was arguably the most influential and important of the early palaeoartists. His dinosaurs tend to have a stately quality that’s very much at odds with our post-Dinosaur Renaissance sensibilities, but which has its own charm.

Since the rather surprising apppointment of Mike Eisen as the new Editor-in-Chief of eLife , I’ve found myself thinking about this journal again.

You know the drill. For ground-level Diplodocus , go here, for Apatosaurus , go here.