Comparto, no sin vergüenza, un escan de mi artículo “Música y ciberespacio”, publicado en el diario mexicano El Financiero el Jueves 7 de agosto de 1997.
Comparto, no sin vergüenza, un escan de mi artículo “Música y ciberespacio”, publicado en el diario mexicano El Financiero el Jueves 7 de agosto de 1997.
Originally posted on Digital Cultures (AMM 421): Time has flown and today we have the final session(s) of our Digital Cultures modules. We have attempted to offer a kaleidoscope of perspectives that might help us to re-configure the digital media/digital culture landscape.
Some notes on deejaying in Spanish. [As originally posted on Never Neutral, 13 May 2004].
Originally posted on Digital Cultures (AMM 421): It’s been quite a journey: it makes sense that given that we have been discussing the implications of using digital media everything has passed so fast and at the same time it’s been quite labour-intensive.
I am honoured to have been included in the programme for the Open Access Monographs in the Humanities and Social Sciences conference which will take place the 1st and 2nd of July 2013 at the British Library.
Cameron Neylon published a very interesting and timely opinion piece on the Times Higher Education titled “Let’s get this right” (28 March 2013). Here a personal response.
On Monday 25th March I will participate in a panel discussion on Open Access at the Beyond the Book? The future of academic publishing conference at the University of Nottingham.
El estudio refleja que 53% de los hablantes encuestados dijeron que lo que en México se llama comúnmente “limón” es un “lemon, obviamente!”, mientras que el 47% restante consideró que se trataba de “lime, obviamente!”.
Tomorrow I will participate at the ‘Digital Scholarship, Resources And Research Workshop organised by the M25 Consortium of Academic Libraries (cpd25) at the British Library, London.
I have shared a deck of slides on Slideshare that contains the notes I prepared for a debate about Open Access publishing organised by Roger Sabin at Central Saint Martins, University of the Arts, London.